Twisted Sister – “I Am (I’m Me)”: The Anthem That Almost Was

Few songs capture the rebellious spirit of rock quite like “I Am (I’m Me)” by Twisted Sister. Released in March 1983, this track was the band’s first chart hit, reaching number 18 on the UK Singles Chart and staying in the top 75 for nine weeks. Despite its success overseas, it never got a proper release in the U.S., leaving frontman Dee Snider convinced that it could have been as big as “We’re Not Gonna Take It” if given the chance.

The Story Behind the Song

Written by Dee Snider and produced by Stuart Epps, “I Am (I’m Me)” was the lead single from Twisted Sister’s second studio album, You Can’t Stop Rock ‘n’ Roll. The song was a statement of defiance, a rallying cry for individuality and self-expression—values that Twisted Sister embodied both in their music and their outrageous stage presence.

The band recorded the album at Sol Studios in Cookham, England, after being signed to Atlantic Records by Phil Carson, who saw their potential. Carson believed in the song so much that he arranged for Twisted Sister to perform two shows at London’s Marquee Club in March 1983, recording live tracks to serve as B-sides for the single.

A Controversial TV Appearance

As the song climbed the UK charts, Twisted Sister performed it on Top of the Pops, a move that sparked complaints from viewers who were shocked by their makeup and attitude. Snider later recalled in his autobiography that despite sharing the stage with Boy George and Culture Club, Twisted Sister’s appearance was the one that truly rattled audiences. Of course, metal fans loved it.

Sales and Legacy

While exact sales numbers for “I Am (I’m Me)” are hard to pin down, its impact on Twisted Sister’s career was undeniable. It paved the way for their later success with “We’re Not Gonna Take It” and “I Wanna Rock”, cementing their place in rock history. The song remains a fan favorite, often performed live and celebrated as one of the band’s most underrated anthems.

Twisted Sister may have been too wild for mainstream audiences at the time, but their message of self-empowerment still resonates today. After all, who doesn’t want to scream, “I Am (I’m Me)” at the top of their lungs?

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